Those craftsmen who mend history
Release time:
2020-08-14
Those craftsmen who repaired history
In the last few days of 2016 , they always regretted missing a movie. Because this small city is inexplicably listed as a second-tier city by a certain evaluation agency, most locals regard the news as a joke. The film distributors had a natural instinct, so none of the theaters in town put the film on. In the past six months, it was not until I met a book that people suddenly remembered. This book and that movie, as well as an earlier three-episode documentary, have the same name, "I Repair Cultural Relics in the Forbidden City."
"I Repair Cultural Relics in the Forbidden City" was filmed to commemorate the 10th anniversary of the establishment of the Palace Museum 90#. 2016 1 became popular rapidly after its premiere on CCTV, becoming the most influential phenomenal documentary of the year. This book is a logical product between the hit documentary and the release of the movie version. Books related to film and television are always beautifully done, and this one is certainly no exception. Besides, the Forbidden City, cultural relics, never lack of visual impact of the two themes together, it is difficult to think not beautiful. The slightly rough but textured light paper, the naked line binding that can be spread out naturally on any page, the full-color photographic illustrations, and the simple and thick cover design make the sense of history come to the face. Moreover, most of the characters and scenes in the picture have been seen in documentaries. They are quite familiar with each other, and they are inexplicably kind when looking at them.
According to different types of cultural relics or types of work, the book is divided into six parts: clock room, bronze ware group, copying room, mounting room, wood ware room and lacquer ware room. The oral records of 12 cultural relics restorers have been seen and heard in documentaries and not in many documentaries. The female writer Green Demon expressed her respect for these people who are repairing history every day in a sense.
Of course, text expressions and documentaries focus on different image effects, and they can relatively freely explore the unknown or often ignored corners behind characters and cultural relics. Many of the background and details that the documentary is limited to space and fails to fully explain are reflected in the book. For example, the origin of the Ministry of Culture, Protection and Technology, the inheritance of the restoration techniques of the Imperial Palace cultural relics, the choice between the restoration of "not out of shape" and the artistic creation of advocating individuality (although the word "choice" seems to be used a bit too much, but for many young and middle-aged restorers with professional background, they will inevitably face a completely different fate choice), of course, many people will be concerned about how much money these top cultural relic restorers in China and even in the world can earn every month. If the documentary reveals the mystery of the cultural relic restorers in the red wall of the Forbidden City, and makes the audience get closer to this special group and their work, the book version further enlarges the word "people" and restores the Forbidden City as much as possible. The living conditions of the inheritors of the century-old skills, or the collision between these little-known people who "dialogue" with the ancients every day and today's social thoughts, the collision between the ancient techniques of cultural relic restoration and the ever-changing modern technology.
From the documentary "I Repair Cultural Relics in the Forbidden City", these people who work silently in a corner of the Forbidden City are associated with the "craftsman spirit" by fans. "Craftsman spirit" is a hot word in the past two years. It is very tall to say, but from these protagonists, it is not difficult for us to get the simplest interpretation: regard "doing things seriously" as a daily routine, a habit, until it becomes a matter of course. Some people may use "willing to be lonely", "stick to" and "dedication" to evaluate them, but compared with their indifference to the camera and the cultural relics in their hands, these beautiful words are really pale. In the final analysis, what we admire, the kind of thing that these people have that many of us don't have, is a sense of awe for things, things, and their careers. Only in this way can there be the persistence of "choosing one thing for the rest of your life", the satisfaction of "building one piece and two pieces in a year", the hidden rules of the industry that handle the heavy equipment of the country every day but do not involve collection for life, and the light wind in the face of interviews and sudden "red. The shock and mystery in our eyes are just ordinary work and work.
A lot of good words, does not mean that the book is perfect. For example, the ceramic group, which appeared a lot in the documentary, did not appear in the book. No matter the Forbidden City collection or folk collection, ceramics are major items, and it is a bit unacceptable to lack this piece. However, it is understandable to think that the master Wang Wusheng, who has been repairing Tang Sancai Malaysia in the film, once said that he was about to retire. Maybe when he made this book, he had already gone home to enjoy his old age. In addition, there are several mistakes in the book, which may be due to the slip of the tongue of the masters or the recorder's lack of understanding of professional terms. Although there are not many mistakes, they are also regarded as minor flaws. Friends who like hide-and-seek may as well look for them.
In order to write the above words, I went online to "review" the three-episode documentary "I repaired cultural relics in the Forbidden City" from beginning to end. By the way, I did something I regretted-watching the movie version I missed. The movie version, which was released through crowdfunding, has been controversial on the Internet since it was released at the end of 2016 . What should I say after watching it? Living in a small place can sometimes miss something, but this "miss" may not necessarily be a bad thing.
Before putting the book into the bookshelf, I specially read the cross-page picture lined with the front ring of the book-the rich cornices in a corner of the sky background, and a crow standing alone in a dark silhouette between the spine beasts, thin but striking. I suddenly thought that those craftsmen who are busy mending history under this cornices are also so lonely that people can't ignore it, but for them personally, how much significance does the world's attention have? (Rice)
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On December 16, Jiang Xiaomeng, Secretary of the Party committee and chairman of the group company, went to Yunnan Jianfeng cement company to investigate and guide the work. On the morning of the same day, accompanied by the Yunnan peak management team, Jiang Xiaomeng went deep into the front line and successively went to the central control room of the production and manufacturing department, the raw material clay yard, the lignite yard and other areas for field investigation and investigation to understand the problems existing in the production and operation process. Subsequently, a business analysis meeting was held to make a comparative analysis of the various business indicators of Yunnan Jianfeng from January to November this year, and put forward two requirements to the management team: further strengthen internal management and improve execution; strengthen the coordination of external relations, and improve The ability and level of enterprise resource acquisition. At the Yunnan Jianfeng middle-level cadre meeting held on the afternoon of the 16th, Jiang Xiaomeng first fully affirmed Yunnan Jianfeng's highest output and best benefits since it was put into production in 2018, and expressed his gratitude to all cadres and employees of Yunnan Jianfeng for their hard work. After that, Jiang Xiaomeng made a detailed analysis of the cement industry and the regional market environment in Yunnan, and combined with the current production and operation situation of Yunnan Jianfeng, put forward the focus of the next step: 1. should fully attach importance to and mobilize the initiative and responsibility of employees at all levels to improve the overall execution of the team; 2. raw material mines are an important factor restricting the future development of cement enterprises, which should be paid full attention to and formulate clear strategies and methods, set out a timetable to obtain future production resources as much as possible; 3. continuously advocate and promote technological innovation, keep pace with the times, continuously improve production management, equipment management, production technology level, and maintain the competitive advantage of the industry; 4. further strengthen production
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Editor's note: On November 20, the first page of "Jinhua Daily" published "Focus on sticking to the peak forever-Enlightenment of Jianfeng Group's 60 years of entrepreneurship" written by the reporter of the newspaper, which was specially reprinted by this newspaper. Focus on sticking to the peak forever-Jianfeng Group's 60 years of entrepreneurship enlightenment "Jinhua Daily" reporter Shao Xuilian as of the end of the third quarter of this year, the total assets of 4.788 billion yuan, net assets of 3.366 billion yuan, the realization of the parent company's net profit of 0.488 billion yuan, earnings per share of 1.42 yuan. Recently, Jianfeng Group disclosed its beautiful report for the third quarter of 2018, celebrating its 60th anniversary with the best operating results in history. Wind and rain for 60 years. With sustained and steady high-quality development, the peak people are moving towards a comprehensive modern enterprise group with strong core competitiveness. Strategy: Focus and Professionalism In 1958, the first generation of peak people built the first cement factory in Jinhua history at the foot of peak mountain. Beginning in 1983, through horizontal alliances with township enterprises, the formation of enterprise groups, and the implementation of shareholding reforms, Jianfeng has developed from a small state-owned cement plant to the first listed company in China's cement industry. Since then, in the stage of diversification, the peak will develop the pharmaceutical industry into the second pillar industry. In 2007, it joined forces with the central enterprise China Building Materials to participate in the establishment of Southern Cement and strategically shifted the focus of the cement industry; at the same time, through corporate mergers and acquisitions and technological innovation, the pharmaceutical industry has further exerted its strength. Today, Jianfeng Group has 33 participating and holding subsidiaries, involving building materials, medicine, big health, modern logistics, national.
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